My current work investigates the dialogue between the wooden surfaces on which I paint and the trees from which those panels were built. I highlight the interconnectedness of humans and nature, while addressing life’s impermanence and transience. Industry's straight lines and angles try to control nature, transforming a tree’s rounded mass into flat rectangular sheets; yet, the wood grain’s undulations, marking the tree’s growth and annual water intake, emerge despite its new, boxy confines. A tree's experiences are indelibly written on its interior and at the same time are a historical account of the landscape itself. In my paintings, I strive to conjure the landscape that no longer exists but is inherently contained in each panel while expressing the visual contrast and harmony where human-made structures and nature intersect.